The Sketch Book of Geoffrey Crayon Gent – Washington Irving 1865 | 1st Edition

$299.00

  • Author: Washington Irving
  • Publisher: G.P. Putnam: Hurd & Houghton, New York, 1958
  • Binding: Hardcover
  • Condition: Near Fine
  • Size: 4to
  • Attributes: First Edition, Illustrated, Fine Binding

An Artist’s Edition, First fully illustrated edition with 120 wonderful engravings by various artists. Fine binding, full calf with gilt designs and five raised bands, all edges gilt, marbled end papers. Spine ends and corners rubbed. A VG to Near Fine copy.

Out of stock

The Sketch Book of Geoffrey Crayon, Gent. (1865 edition) by Washington Irving is a timeless collection of essays, travelogues, and short stories that solidified Irving’s reputation as a cornerstone of American literature. Originally published in installments between 1819 and 1820 under Irving’s pseudonym Geoffrey Crayon, this anthology marries whimsy, nostalgia, and keen social observation, bridging the charm of English Romanticism with emerging American identity.

The 1865 edition, often adorned with 120 wood engravings by various artist, preserves Irving’s most enduring works:

  • “Rip Van Winkle”, the legendary tale of a Dutch-American villager who sleeps for twenty years, awakening to a post-Revolution world that no longer recognizes him—a metaphor for societal change and the passage of time.
  • “The Legend of Sleepy Hollow”, the eerie yet humorous story of Ichabod Crane and his fateful encounter with the Headless Horseman, a cornerstone of American Gothic folklore.
  • Evocative Essays like “Westminster Abbey” and “Christmas at Bracebridge Hall”, where Irving’s lush prose paints vivid scenes of English traditions, landscapes, and eccentric characters, reflecting his own travels abroad.

Irving’s voice—wry, affectionate, and occasionally melancholic—elevates these sketches beyond mere storytelling, offering a window into early 19th-century transatlantic culture. The 1865 printing, with its potential engravings and decorative bindings, serves as a cherished artifact of literary history, embodying the era’s reverence for books as objects of art.