Les Bijoux de la Castafiore (The Castafiore Emerald) (1963) by Hergé is the twenty-first Tintin adventure and a radical departure from the series’ usual globe-trotting escapades. This time, the story unfolds entirely at Marlinspike Hall, Captain Haddock’s estate, where the arrival of the tempestuous opera diva Bianca Castafiore—and her missing emerald necklace—sparks a whirlwind of misunderstandings, false accusations, and media frenzy.
Hergé subverts expectations by focusing on domestic chaos rather than exotic locales: a gypsy camp, a mischievous parrot, and a televised interview gone awry drive the comedy. The mystery’s resolution is delightfully mundane, underscoring Hergé’s satire of sensationalism.
A masterpiece of wit and misdirection, proving that adventure can thrive even in a drawing room.