\n
\n<\/p>\n\n\n\n
<\/p>\n\n\n\n
<\/p>\n\n\n\n
<\/p>\n\n\n\n
<\/p>\n\n\n\n
<\/p>\n\n\n\n
<\/p>\n\n\n\n
<\/p>\n\n\n\n
First edition bindings and various dust jacket printings identification.<\/p>\n\n\n
\n[justified_image_grid ng_gallery=433 load_more=click load_more_limit=8]\n\n\n\n
<\/p>\n\n\n\n
<\/p>\n\n\n\n
First edition bindings and various dust jacket printings identification.<\/p>\n\n\n\n[justified_image_grid ng_gallery=433 load_more=click load_more_limit=8]\n\n\n\n
<\/p>\n\n\n\n
<\/p>\n\n\n\n
Please refer to the gallery for detailed images of true first edition bindings and dust jackets.<\/p>\n\n\n\n
First edition bindings and various dust jacket printings identification.<\/p>\n\n\n\n[justified_image_grid ng_gallery=433 load_more=click load_more_limit=8]\n\n\n\n
<\/p>\n\n\n\n
<\/p>\n\n\n\n
US: The US reprint publishers usually use the same sheets as the first edition and are harder to identify by looking at the title page or the copyright page. One may identify a BCE by looking at the DJ, which doesn't have a price on top of the front flap and a \"Book Club Edition\" imprint at the bottom. If the dust jacked is clipped at both the top\/bottom of the front flap. You can safely assume it's a BCE . If the book is missing the dust jacket. Later BCE editions can be identified by its plain boards, while first printings are issued in quarter cloth. <\/p>\n\n\n\n
Please refer to the gallery for detailed images of true first edition bindings and dust jackets.<\/p>\n\n\n\n
First edition bindings and various dust jacket printings identification.<\/p>\n\n\n\n[justified_image_grid ng_gallery=433 load_more=click load_more_limit=8]\n\n\n\n
<\/p>\n\n\n\n
<\/p>\n\n\n\n
UK: You can see statements of later reprint dates or of book club on the copyright page.<\/p>\n\n\n\n
US: The US reprint publishers usually use the same sheets as the first edition and are harder to identify by looking at the title page or the copyright page. One may identify a BCE by looking at the DJ, which doesn't have a price on top of the front flap and a \"Book Club Edition\" imprint at the bottom. If the dust jacked is clipped at both the top\/bottom of the front flap. You can safely assume it's a BCE . If the book is missing the dust jacket. Later BCE editions can be identified by its plain boards, while first printings are issued in quarter cloth. <\/p>\n\n\n\n
Please refer to the gallery for detailed images of true first edition bindings and dust jackets.<\/p>\n\n\n\n
First edition bindings and various dust jacket printings identification.<\/p>\n\n\n\n[justified_image_grid ng_gallery=433 load_more=click load_more_limit=8]\n\n\n\n
<\/p>\n\n\n\n
<\/p>\n\n\n\n
Note about Book Club Editions (BCE) and reprints:<\/strong><\/p>\n\n\n\n UK: You can see statements of later reprint dates or of book club on the copyright page.<\/p>\n\n\n\n US: The US reprint publishers usually use the same sheets as the first edition and are harder to identify by looking at the title page or the copyright page. One may identify a BCE by looking at the DJ, which doesn't have a price on top of the front flap and a \"Book Club Edition\" imprint at the bottom. If the dust jacked is clipped at both the top\/bottom of the front flap. You can safely assume it's a BCE . If the book is missing the dust jacket. Later BCE editions can be identified by its plain boards, while first printings are issued in quarter cloth. <\/p>\n\n\n\n Please refer to the gallery for detailed images of true first edition bindings and dust jackets.<\/p>\n\n\n\n First edition bindings and various dust jacket printings identification.<\/p>\n\n\n\n[justified_image_grid ng_gallery=433 load_more=click load_more_limit=8]\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n The books are listed in the order of publication. While the majority of Agatha Christie's books were first published in the UK. There are many titles that were first published in the US. The title of the book may differs from the UK edition in some cases.<\/p>\n\n\n\n[ninja_tables id=\"86723\"]\n\n\n\n Note about Book Club Editions (BCE) and reprints:<\/strong><\/p>\n\n\n\n UK: You can see statements of later reprint dates or of book club on the copyright page.<\/p>\n\n\n\n US: The US reprint publishers usually use the same sheets as the first edition and are harder to identify by looking at the title page or the copyright page. One may identify a BCE by looking at the DJ, which doesn't have a price on top of the front flap and a \"Book Club Edition\" imprint at the bottom. If the dust jacked is clipped at both the top\/bottom of the front flap. You can safely assume it's a BCE . If the book is missing the dust jacket. Later BCE editions can be identified by its plain boards, while first printings are issued in quarter cloth. <\/p>\n\n\n\n Please refer to the gallery for detailed images of true first edition bindings and dust jackets.<\/p>\n\n\n\n First edition bindings and various dust jacket printings identification.<\/p>\n\n\n\n[justified_image_grid ng_gallery=433 load_more=click load_more_limit=8]\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n The books are listed in the order of publication. While the majority of Agatha Christie's books were first published in the UK. There are many titles that were first published in the US. The title of the book may differs from the UK edition in some cases.<\/p>\n\n\n\n[ninja_tables id=\"86723\"]\n\n\n\n Note about Book Club Editions (BCE) and reprints:<\/strong><\/p>\n\n\n\n UK: You can see statements of later reprint dates or of book club on the copyright page.<\/p>\n\n\n\n US: The US reprint publishers usually use the same sheets as the first edition and are harder to identify by looking at the title page or the copyright page. One may identify a BCE by looking at the DJ, which doesn't have a price on top of the front flap and a \"Book Club Edition\" imprint at the bottom. If the dust jacked is clipped at both the top\/bottom of the front flap. You can safely assume it's a BCE . If the book is missing the dust jacket. Later BCE editions can be identified by its plain boards, while first printings are issued in quarter cloth. <\/p>\n\n\n\n Please refer to the gallery for detailed images of true first edition bindings and dust jackets.<\/p>\n\n\n\n First edition bindings and various dust jacket printings identification.<\/p>\n\n\n\n[justified_image_grid ng_gallery=433 load_more=click load_more_limit=8]\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n The US serialisation was in the Blue Book<\/em> magazine in three instalments from September (Volume 39, Issue 5) to November 1924 (Volume 40, Issue 1) with each issue containing an uncredited illustration.<\/p>\n\n\n\n The books are listed in the order of publication. While the majority of Agatha Christie's books were first published in the UK. There are many titles that were first published in the US. The title of the book may differs from the UK edition in some cases.<\/p>\n\n\n\n[ninja_tables id=\"86723\"]\n\n\n\n Note about Book Club Editions (BCE) and reprints:<\/strong><\/p>\n\n\n\n UK: You can see statements of later reprint dates or of book club on the copyright page.<\/p>\n\n\n\n US: The US reprint publishers usually use the same sheets as the first edition and are harder to identify by looking at the title page or the copyright page. One may identify a BCE by looking at the DJ, which doesn't have a price on top of the front flap and a \"Book Club Edition\" imprint at the bottom. If the dust jacked is clipped at both the top\/bottom of the front flap. You can safely assume it's a BCE . If the book is missing the dust jacket. Later BCE editions can be identified by its plain boards, while first printings are issued in quarter cloth. <\/p>\n\n\n\n Please refer to the gallery for detailed images of true first edition bindings and dust jackets.<\/p>\n\n\n\n First edition bindings and various dust jacket printings identification.<\/p>\n\n\n\n[justified_image_grid ng_gallery=433 load_more=click load_more_limit=8]\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n Following completion in late 1923,The Man in the Brown Suit<\/em> was first serialised in the London Evening News<\/em> under the title Anne the Adventurous<\/em>. It ran in fifty instalments from Thursday, 29 November 1923 to Monday, 28 January 1924. There were slight amendments to the text, either to make sense of the openings of an instalment (e.g. changing \"She then...\" to \"Anne then...\"), or omitting small sentences or words. The main change was in the chapter divisions. The published book has 36 chapters whereas the serialisation has only 28 chapters.<\/p>\n\n\n\n The US serialisation was in the Blue Book<\/em> magazine in three instalments from September (Volume 39, Issue 5) to November 1924 (Volume 40, Issue 1) with each issue containing an uncredited illustration.<\/p>\n\n\n\n The books are listed in the order of publication. While the majority of Agatha Christie's books were first published in the UK. There are many titles that were first published in the US. The title of the book may differs from the UK edition in some cases.<\/p>\n\n\n\n[ninja_tables id=\"86723\"]\n\n\n\n Note about Book Club Editions (BCE) and reprints:<\/strong><\/p>\n\n\n\n UK: You can see statements of later reprint dates or of book club on the copyright page.<\/p>\n\n\n\n US: The US reprint publishers usually use the same sheets as the first edition and are harder to identify by looking at the title page or the copyright page. One may identify a BCE by looking at the DJ, which doesn't have a price on top of the front flap and a \"Book Club Edition\" imprint at the bottom. If the dust jacked is clipped at both the top\/bottom of the front flap. You can safely assume it's a BCE . If the book is missing the dust jacket. Later BCE editions can be identified by its plain boards, while first printings are issued in quarter cloth. <\/p>\n\n\n\n Please refer to the gallery for detailed images of true first edition bindings and dust jackets.<\/p>\n\n\n\n First edition bindings and various dust jacket printings identification.<\/p>\n\n\n\n[justified_image_grid ng_gallery=433 load_more=click load_more_limit=8]\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n Following completion in late 1923,The Man in the Brown Suit<\/em> was first serialised in the London Evening News<\/em> under the title Anne the Adventurous<\/em>. It ran in fifty instalments from Thursday, 29 November 1923 to Monday, 28 January 1924. There were slight amendments to the text, either to make sense of the openings of an instalment (e.g. changing \"She then...\" to \"Anne then...\"), or omitting small sentences or words. The main change was in the chapter divisions. The published book has 36 chapters whereas the serialisation has only 28 chapters.<\/p>\n\n\n\n The US serialisation was in the Blue Book<\/em> magazine in three instalments from September (Volume 39, Issue 5) to November 1924 (Volume 40, Issue 1) with each issue containing an uncredited illustration.<\/p>\n\n\n\n The books are listed in the order of publication. While the majority of Agatha Christie's books were first published in the UK. There are many titles that were first published in the US. The title of the book may differs from the UK edition in some cases.<\/p>\n\n\n\n[ninja_tables id=\"86723\"]\n\n\n\n Note about Book Club Editions (BCE) and reprints:<\/strong><\/p>\n\n\n\n UK: You can see statements of later reprint dates or of book club on the copyright page.<\/p>\n\n\n\n US: The US reprint publishers usually use the same sheets as the first edition and are harder to identify by looking at the title page or the copyright page. One may identify a BCE by looking at the DJ, which doesn't have a price on top of the front flap and a \"Book Club Edition\" imprint at the bottom. If the dust jacked is clipped at both the top\/bottom of the front flap. You can safely assume it's a BCE . If the book is missing the dust jacket. Later BCE editions can be identified by its plain boards, while first printings are issued in quarter cloth. <\/p>\n\n\n\n Please refer to the gallery for detailed images of true first edition bindings and dust jackets.<\/p>\n\n\n\n First edition bindings and various dust jacket printings identification.<\/p>\n\n\n\n[justified_image_grid ng_gallery=433 load_more=click load_more_limit=8]\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n Following completion in late 1923,The Man in the Brown Suit<\/em> was first serialised in the London Evening News<\/em> under the title Anne the Adventurous<\/em>. It ran in fifty instalments from Thursday, 29 November 1923 to Monday, 28 January 1924. There were slight amendments to the text, either to make sense of the openings of an instalment (e.g. changing \"She then...\" to \"Anne then...\"), or omitting small sentences or words. The main change was in the chapter divisions. The published book has 36 chapters whereas the serialisation has only 28 chapters.<\/p>\n\n\n\n The US serialisation was in the Blue Book<\/em> magazine in three instalments from September (Volume 39, Issue 5) to November 1924 (Volume 40, Issue 1) with each issue containing an uncredited illustration.<\/p>\n\n\n\n The books are listed in the order of publication. While the majority of Agatha Christie's books were first published in the UK. There are many titles that were first published in the US. The title of the book may differs from the UK edition in some cases.<\/p>\n\n\n\n[ninja_tables id=\"86723\"]\n\n\n\n Note about Book Club Editions (BCE) and reprints:<\/strong><\/p>\n\n\n\n UK: You can see statements of later reprint dates or of book club on the copyright page.<\/p>\n\n\n\n US: The US reprint publishers usually use the same sheets as the first edition and are harder to identify by looking at the title page or the copyright page. One may identify a BCE by looking at the DJ, which doesn't have a price on top of the front flap and a \"Book Club Edition\" imprint at the bottom. If the dust jacked is clipped at both the top\/bottom of the front flap. You can safely assume it's a BCE . If the book is missing the dust jacket. Later BCE editions can be identified by its plain boards, while first printings are issued in quarter cloth. <\/p>\n\n\n\n Please refer to the gallery for detailed images of true first edition bindings and dust jackets.<\/p>\n\n\n\n First edition bindings and various dust jacket printings identification.<\/p>\n\n\n\n[justified_image_grid ng_gallery=433 load_more=click load_more_limit=8]\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n Following completion in late 1923,The Man in the Brown Suit<\/em> was first serialised in the London Evening News<\/em> under the title Anne the Adventurous<\/em>. It ran in fifty instalments from Thursday, 29 November 1923 to Monday, 28 January 1924. There were slight amendments to the text, either to make sense of the openings of an instalment (e.g. changing \"She then...\" to \"Anne then...\"), or omitting small sentences or words. The main change was in the chapter divisions. The published book has 36 chapters whereas the serialisation has only 28 chapters.<\/p>\n\n\n\n The US serialisation was in the Blue Book<\/em> magazine in three instalments from September (Volume 39, Issue 5) to November 1924 (Volume 40, Issue 1) with each issue containing an uncredited illustration.<\/p>\n\n\n\n The books are listed in the order of publication. While the majority of Agatha Christie's books were first published in the UK. There are many titles that were first published in the US. The title of the book may differs from the UK edition in some cases.<\/p>\n\n\n\n[ninja_tables id=\"86723\"]\n\n\n\n Note about Book Club Editions (BCE) and reprints:<\/strong><\/p>\n\n\n\n UK: You can see statements of later reprint dates or of book club on the copyright page.<\/p>\n\n\n\n US: The US reprint publishers usually use the same sheets as the first edition and are harder to identify by looking at the title page or the copyright page. One may identify a BCE by looking at the DJ, which doesn't have a price on top of the front flap and a \"Book Club Edition\" imprint at the bottom. If the dust jacked is clipped at both the top\/bottom of the front flap. You can safely assume it's a BCE . If the book is missing the dust jacket. Later BCE editions can be identified by its plain boards, while first printings are issued in quarter cloth. <\/p>\n\n\n\n Please refer to the gallery for detailed images of true first edition bindings and dust jackets.<\/p>\n\n\n\n First edition bindings and various dust jacket printings identification.<\/p>\n\n\n\n[justified_image_grid ng_gallery=433 load_more=click load_more_limit=8]\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n Following completion in late 1923,The Man in the Brown Suit<\/em> was first serialised in the London Evening News<\/em> under the title Anne the Adventurous<\/em>. It ran in fifty instalments from Thursday, 29 November 1923 to Monday, 28 January 1924. There were slight amendments to the text, either to make sense of the openings of an instalment (e.g. changing \"She then...\" to \"Anne then...\"), or omitting small sentences or words. The main change was in the chapter divisions. The published book has 36 chapters whereas the serialisation has only 28 chapters.<\/p>\n\n\n\n The US serialisation was in the Blue Book<\/em> magazine in three instalments from September (Volume 39, Issue 5) to November 1924 (Volume 40, Issue 1) with each issue containing an uncredited illustration.<\/p>\n\n\n\n The books are listed in the order of publication. While the majority of Agatha Christie's books were first published in the UK. There are many titles that were first published in the US. The title of the book may differs from the UK edition in some cases.<\/p>\n\n\n\n[ninja_tables id=\"86723\"]\n\n\n\n Note about Book Club Editions (BCE) and reprints:<\/strong><\/p>\n\n\n\n UK: You can see statements of later reprint dates or of book club on the copyright page.<\/p>\n\n\n\n US: The US reprint publishers usually use the same sheets as the first edition and are harder to identify by looking at the title page or the copyright page. One may identify a BCE by looking at the DJ, which doesn't have a price on top of the front flap and a \"Book Club Edition\" imprint at the bottom. If the dust jacked is clipped at both the top\/bottom of the front flap. You can safely assume it's a BCE . If the book is missing the dust jacket. Later BCE editions can be identified by its plain boards, while first printings are issued in quarter cloth. <\/p>\n\n\n\n Please refer to the gallery for detailed images of true first edition bindings and dust jackets.<\/p>\n\n\n\n First edition bindings and various dust jacket printings identification.<\/p>\n\n\n\n[justified_image_grid ng_gallery=433 load_more=click load_more_limit=8]\n\n\n\n <\/p>\n\n\n\nThe Man in the Brown Suit - First Edition Dust Jacket Identification Guide<\/h3>\n\n\n\n
Reference:<\/h4>\n\n\n\n
\n
\nThe Man in the Brown Suit - First Edition Dust Jacket Identification Guide<\/h3>\n\n\n\n
Reference:<\/h4>\n\n\n\n
\n
\nThe Man in the Brown Suit - First Edition Book Identification Guide<\/h3>\n\n\n\n
The Man in the Brown Suit - First Edition Dust Jacket Identification Guide<\/h3>\n\n\n\n
Reference:<\/h4>\n\n\n\n
\n
\nThe Man in the Brown Suit - First Edition Book Identification Guide<\/h3>\n\n\n\n
The Man in the Brown Suit - First Edition Dust Jacket Identification Guide<\/h3>\n\n\n\n
Reference:<\/h4>\n\n\n\n
\n
\nThe Man in the Brown Suit - First Edition Book Identification Guide<\/h3>\n\n\n\n
The Man in the Brown Suit - First Edition Dust Jacket Identification Guide<\/h3>\n\n\n\n
Reference:<\/h4>\n\n\n\n
\n
\nThe Man in the Brown Suit - First Edition Book Identification Guide<\/h3>\n\n\n\n
The Man in the Brown Suit - First Edition Dust Jacket Identification Guide<\/h3>\n\n\n\n
Reference:<\/h4>\n\n\n\n
\n
\nThe Man in the Brown Suit - First Edition Book Identification Guide<\/h3>\n\n\n\n
The Man in the Brown Suit - First Edition Dust Jacket Identification Guide<\/h3>\n\n\n\n
Reference:<\/h4>\n\n\n\n
\n
\nThe Man in the Brown Suit - First Edition Book Identification Guide<\/h3>\n\n\n\n
The Man in the Brown Suit - First Edition Dust Jacket Identification Guide<\/h3>\n\n\n\n
Reference:<\/h4>\n\n\n\n
\n
\nThe Man in the Brown Suit - First Edition Book Identification Guide<\/h3>\n\n\n\n
The Man in the Brown Suit - First Edition Dust Jacket Identification Guide<\/h3>\n\n\n\n
Reference:<\/h4>\n\n\n\n