The Man Who Invented Worlds: Lord Dunsany and the Birth of Modern Fantasy

An Anglo-Irish Inheritance
Edward John Moreton Drax Plunkett, the 18th Baron Dunsany and known to the literary world simply as Lord Dunsany, was born in London on July 24, 1878, into one of Ireland’s most ancient noble families. The family seat, Dunsany Castle in County Meath, had been in Plunkett hands for over five centuries, a continuity of land and title that deeply shaped his sense of timelessness and tradition. Standing six feet four inches tall—a height inherited from his mother, a cousin of the explorer Sir Richard Burton—he cut an imposing and memorable figure. Educated at Cheam, Eton, and the Royal Military College at Sandhurst, he received a thorough classical grounding that later lent his prose the cadences of Greek myth and the King James Bible. He inherited his barony in 1899 upon his father’s death and married Lady Beatrice Child Villiers, daughter of the Earl of Jersey, in 1904. Their only child, Randal, was born two years later.
Soldier, Sportsman, and Polymath
Dunsany refused the stereotype of the reclusive writer. He served as a second lieutenant in the Coldstream Guards during the Second Boer War and volunteered as a captain in the Royal Inniskilling Fusiliers during World War I. In a remarkable episode during the Easter Rising of 1916, he drove into Dublin while on leave to offer assistance and was wounded by a bullet that lodged in his skull—from which he fully recovered without lasting damage. During World War II, he served in both the Irish Army Reserve and the British Home Guard. Beyond soldiering, he was at various times the chess champion of Ireland and the pistol champion of Ireland, and he invented an asymmetrical chess variant still known today as Dunsany’s Chess. A keen big-game hunter and traveler, he roamed Africa and the Americas, adventures that later surfaced in his fiction.
The Architect of Modern Fantasy
Dunsany’s literary career began in earnest in 1905 with The Gods of Pegāna, a collection of short stories for which he initially had to pay for publication himself. The book invented an entirely original mythological pantheon and a fictional cosmos, creating one of the first fully realized “secondary worlds” in modern English literature and laying essential groundwork for the fantasy genre as it is now understood. His early collections—including Time and the Gods (1906), The Sword of Welleran (1908), and A Dreamer’s Tales (1910)—are written in a lush, incantatory prose style and evoke a dreamlike realm of forgotten gods, impossible cities, and borderlands beyond ordinary time. His influence on other writers was immediate and profound. H. P. Lovecraft considered him one of the four modern masters of horror and admitted that Dunsany’s “remote world of dream” permanently reshaped his own imaginative landscape. Later admirers included J. R. R. Tolkien, Jorge Luis Borges, and Arthur C. Clarke.
The Novelist and Playwright
In the 1920s, Dunsany turned more consistently to the novel, producing his most famous work, The King of Elfland’s Daughter (1924), a lyrical masterpiece about a mortal lord who hunts the unicorn and wins an elven princess, only to discover that magic and mundane life do not easily coexist. He also created Joseph Jorkens, an elderly raconteur who spins improbably tall tales in a gentlemen’s club in exchange for whiskey—a recurring character who appeared in five collections between 1931 and 1954. Dunsany was also a highly successful playwright, with works running on Broadway and in London’s West End, and he received an honorary doctorate from Trinity College Dublin in recognition of his contributions to Irish literature.
Final Years and Enduring Legacy
Lord Dunsany died in Dublin on October 25, 1957, following an attack of appendicitis. He was buried in the churchyard of St. Peter and St. Paul in Shoreham, Kent, the village where he had spent his final years. Today, he is remembered as a foundational figure in fantasy and weird fiction—a true original whose dreamlike visions opened doors that countless later writers have walked through.
Lord Dunsany – First Editions Identification Guide
Note: This list only includes works published prior to 1977.
| Year | Title | Publisher | First edition/printing identification points |
|---|---|---|---|
| 1925 | ALEXANDER & THREE SMALL PLAYS | London & New York: G. P. Putnam's Sons, [1925] | First published October 1925 on © page. 250 numbered copies only. |
| 1925 | THE AMUSEMENTS OF KHAN KHARUDA | London & New York: G. P. Putnam's Sons, [1925] | Wrappers. First printed separately, November 1925 on © page. Reprint. Collected earlier the same month in ALEXANDER & THREE SMALL PLAYS. |
| 1970 | AT THE EDGE OF THE WORLD | New York: Ballantine Books, [1970] | Wrappers. First Edition: March, 1970 on © page. Ballantine Books 01879-6-095 (95c). All material reprinted from earlier books. |
| 1927 | THE BLESSING OF PAN | London & New York: G. P. Putnam's Sons, [1927] | First published September 1927 on © page. |
| 1912 | THE BOOK OF WONDER | London: William Heinemann, 1912 | Boards with cloth shelf back. No statement of printing on © page. |
| 1916 | CARCASS ONE | Boston: John W. Luce & Company, n.d. [1916?] | Wrappers. No statement of printing on © page. LIMITED EDITION/REPRINTED FOR/MISS VIRGINIA BERRY on title page. Reprint. Collected earlier in A DREAMER'S TALES. |
| 1926 | THE CHARWOMAN'S SHADOW | London & New York: G. P. Putnam's Sons, [1926] | First published March 1926 on © page. |
| CHEEZO | London & New York: G. P. Putnam's Sons, n.d. | Wrappers. No statement of printing on © page. Reprint. Collected earlier in PLAYS OF NEAR & FAR. | |
| 1923 | THE COMPROMISE OF THE KING OF THE GOLDEN ISLES | London & New York: G. P. Putnam's Sons, n.d. [but 1923] | Wrappers. No statement of printing on © page. Reprint. Collected earlier in PLAYS OF NEAR & FAR. ALSO: New York: Grolier Club, 1924. Boards with cloth shelf back. No statement of printing on © page. 300 numbered copies. First separate hardcover edition. |
| 1933 | THE CURSE OF THE WISE WOMAN | London: William Heinemann Ltd. [1933] | First published 1933 on © page. |
| 1922 | DON RODRIGUEZ. CHRONICLES OF SHADOW VALLEY | New York and London: G. P. Putnam's Sons. 1922 | No statement of printing on © page. Issued earlier in Great Britain as THE CHRONICLES OF RODRIGUEZ. |
| 1925 | THE EVIL KETTLE | London & New York: G. P. Putnam's Sons. [1925] | Wrappers. First printed separately, November 1925 on © page. Reprint. Collected earlier in ALEXANDER & THREE SMALL PLAYS. |
| FAME AND THE POET | London & New York: G. P. Putnam's Sons, n.d. | Wrappers. No statement of printing on © page. Reprint. Collected earlier in PLAYS OF NEAR & FAR. | |
| 1915 | FIFTY-ONE TALES | London: Elkin Mathews, MCMXV | Boards with cloth shelf back. No statement of printing on © page. Reissued as THE FOOD OF DEATH: FIFTY-ONE TALES.. |
| 1914 | FIVE PLAYS | London: Grant Richards, MDCCCCXIV | No statement of printing on © page. |
| THE FLIGHT OF THE QUEEN | London & New York: G. P. Putnam's Sons, n.d. | Wrappers. No statement of printing on © page. Reprint. Collected earlier in PLAYS OF NEAR & FAR. | |
| 1974 | THE FOOD OF DEATH: FIFTY-ONE TALES | Hollywood, Calif.: Newcastle Publishing Company, Inc., 1974 | Wrappers. First printing: September, 1974 on © page. Reprint of FIFTY-ONE TALES. |
| 1910 | THE FORTRESS UNVANQUISHABLE, SAVE FOR SACNOTH | Sheffield: The School of Art Press, 1910 | Blue boards with cloth shelf back. Limited to 30 numbered copies. Reprint. Collected earlier in THE SWORD OF WELLERAN AND OTHER STORIES. |
| 1905 | GODS, MEN AND GHOSTS | New York: Dover Publications. Inc., [1972] | Wrappers....first published by Dover Publications, Inc., in 1972 ... on © page. All material reprinted from earlier books. |
| 1905 | THE GODS OF PEGANA | London: Elkin Mathews, 1905 | Boards with cloth shelf back. No statement of printing on © page. |
| A GOOD BARGAIN | London A New York: G. P. Putnam's Sons, n.d. | Wrappers. No statement of printing on © page. Reprint. Collected earlier in PLAYS OF NEAR & FAR. | |
| 1944 | GUERRILLA | London :: Toronto: William Heinemann Ltd, [1944] | First published 1944 on © page. |
| 1952 | HIS FELLOW MEN | London New York Melbourne Sydney Cape Town: Jarrolds Pub. (London) Ltd, [1952] | First published 1952 on © page. |
| 1954 | JORKENS BORROWS ANOTHER WHISKEY | London; Michael Joseph, [1954] | First published ... 1954 on © page. |
| 1940 | JORKENS HAS A LARGE WHISKEY | London; Putnam, [1940] | First published September 1940 on © page. |
| 1934 | JORKENS REMEMBERS AFRICA | New York Toronto: Longmans Green & Co., 1934 | First edition so stated on © page. Issued later in Great Britain as MR. JORKENS REMEMBERS AFRICA. |
| 1928 | THE JOURNEY OF THE SOUL | London & New York: G. P. Putnam's Sons, [1928] | Wrappers....first /printed separately September 1928 on © page. Reprint. Collected earlier in SEVEN MODERN COMEDIES. |
| 1924 | THE KING OFELFLAND'S DAUGHTER | London A New York: G. P. Putnam's Sons, [1924] | Cloth with paper vellum shelf back, leather label on spine. First printed May 1924 on © page. 250 numbered copies signed by Dunsany and illustrator Sidney H. Sime. |
| 1976 | THE LAST BOOK OF WONDER | Boston; Joan W. Luce A Company, [1976] | Boards with cloth shelf back. No statement of printing on © page. Reprint. Issued earlier in Great Britain as TALES OF WONDER. |
| 1951 | THE LAST REVOLUTION | London New York Melbourne Sydney Cape Town: Jarrolds Pub. (London) Ltd, [1951] | First published-1957 on © page. |
| 1922 | THE LAUGHTER OF THE GODS | London: G. P. Putnam's Sons, Ltd., [1922] | Wrappers. First published 1918 /Reprinted 1922 on © page. Reprint. Collected earlier in PLAYS OF GODS AND MEN. Note: This 1922 printing is apparently the first separate edition. |
| 1933 | LORD ADRIAN: A PLAY IN THREE ACTS | Waltham Saint Lawrence in Berkshire: Printed and made in Great Britain by the Golden Cockerel Press, [1933] | Boards with leather shelf back. No statement of printing on © page. 325 numbered copies printed. |
| 1949 | THE MAN WHO ATE THE PHOENIX | London New York Melbourne Sydney Cape Town: Jarrolds Pub. (London) Ltd., [1949] | No statement of printing on © page. |
| 1935 | MR. FAITHFUL: A COMEDY IN THREE ACTS | New York Los Angeles: Samuel French/London: Samuel French Ltd, 1935 | Wrappers. No statement of printing on © page. |
| 1934 | MR. JORKENS REMEMBERS AFRICA | London & Toronto: William Heinemann Ltd., [1934] | First published 1934 on © page. Issued earlier in the U.S. as JORKENS REMEMBERS AFRICA. |
| 1936 | MY TALKS WITH DEAN SPANLEY | London :: Toronto.: William Heinemann Ltd, [1936] | No statement of printing on © page. |
| 1916 | A NIGHT AT AN INN A PLAY IN ONE ACT | New York: The Sunwise Turn, Inc., 1916 | Wrappers. 1st Printing on © page. Neighborhood Playhouse Plays No. I. Later collected in PLAYS OF GODS AND MEN. |
| 1950 | THE OLD FOLK OF THE CENTURIES | London: Elkin Mathews & Marrot, [1950] | Boards with cloth shelf back. No statement of printing on © page. 900 numbered copies, the first 100 signed by the author, the last 50 for presentation. |
| 1925 | THE OLD KING'S TALE | London & New York: G. P. Putnam's Sons, [1925] | Wrappers. First printed separately, November 1925 on © page. Reprint. Collected earlier in ALEXANDER & THREE SMALL PLAYS. |
| 1974 | OVER THE HILLS AND FAR AWAY | New York: Ballantine Books, [1974] | Wrappers. First Printing: April, 1974 on © page. Ballantine 23886 ($1.25). Reprint collection. All material collected from earlier books. |
| 1937 | PLAYS FOR EARTH AND AIR | London :: Toronto: William Heinemann Ltd, [1937] | First published 1937 oh © page. |
| 1917 | PLAYS OF GODS AND MEN | Dublin: The Talbot Press, Limited, 1917 | Boards with cloth shelf back. Three issues, priority as listed:
|
| 1922 | PLAYS OF NEAR & FAR | London & New York: G. P. Putnam's Sons, [1922] | First printed December, 1922 on © page. 500 copies printed. ALSO: New York and London: G. P. Putnam'sSons, 1923. Boards with cloth shelf back. No statement of printing on © page. Adds author's "Preface to American Edition." |
| 1922 | THE QUEEN'S ENEMIES | London: G. P. Putnam's Sons, Ltd., [1922] | Wrappers. First published 1918/Reprinted 1922 on © page. Reprint. Collected earlier in PLAYS OF GODS AND MEN. Note: This 1922 printing is apparently the first separate edition. |
| 1936 | RORY AND BRAN | London:: Toronto: William Heinemann Ltd. [1936] | First published 1936 on © page. |
| 1912 | SELECTIONS FROM THE WRITINGS OF LORD DUNSANY | Churchtown Dundrum: The Cuala Press, MCMXII | Boards with cloth shelf back. No statement of printing. 250 copies printed. |
| 1925 | SEVEN MODERN COMEDIES | London New York: G. P. Putnam's Sons, [1925] | First published September 1928 on © page. 250 numbered copies. |
| 1939 | THE STORY OF MONA SHEEHY | London :: Toronto: William Heinemann Ltd, [1939] | First published 1939 on © page. |
| 1950 | THE STRANGE JOURNEYS OF COLONEL POLDERS | London New York Melbourne Sydney Cape Town: Jarrolds Pub. London Limited, [1950] | First published 1950 on © page. |
| 1913 | THE SWORD OF WELLER AN AND OTHER STORIES | London: George Allen & Sons, mcmviii | No statement of printing on © page. |
| 1954 | THE SWORD OF WELLERAN AND OTHER TALES OF ENCHANTMENT | New York: The Devin-Adair Company, 1954 | Boards. No statement of printing on © page. All stories reprinted from earlier books. |
| 1979 | TALES OF THREE HEMISPHERES | London: T. Fisher Unwin, Ltd., 1916 | Boards with cloth shelf back. No statement of printing on © page. Note: The British issue consisted of the sheets of the U.S. printing with a cancel title leaf imprinted London; T. Fisher Unwin, Ltd., 1920 on recto. Printed in U.S.A. is rubber-stamped below copyright notice on verso. |
| 1918 | TALES OF WAR | Dublin; The Talbot Press Ltd. London: T. Fisher Unwin Ltd, [1918] | Boards with cloth shelf back. First published in 1918 on © page. |
| 1916 | TALES OF WONDER | London; Elkin Mathews, MCMXVI | Boards with cloth shelf back. First Published... October, 1916 on © page. Issued later in the U .S. as THE LAST BOOK OF WONDER. |
| 1917 | THE TENTS OFTHE ARABS | N.p., n.d. [London, 1917?] | Wrappers. No statement of printing. Cover title. Collected in PLAYS OF GODS AND MEN. Note: British Library assigns a tentative printing date of 1917. Possibly printed prior to collection in PLAYS OF GODS AND MEN. |
| 1906 | TIME AND THE GODS | London: William Heinemann, 1906 | Two bindings, priority as listed:
|
| 1931 | THE TRAVEL TALES OF MR. JOSEPH JORKENS | London & New York: G. P. Putnam's Sons, [1931] | First published April 193! on © page. |
| 1919 | UNHAPPY FAR-OFF THINGS | London: Elkin Mathews, MCMXIX | Boards with cloth shelf back. No statement of printing on © page. |
| 1935 | UP IN THE HILLS | London: Toronto: William Heinemann Ltd, [1935] | First published 1935 on © page. |
| 1925 | WHY THE MILKMAN SHUDDERS WHEN HE PERCEIVES THE DAWN | Fostoria, Ohio: Privately printed, 1925 | Wrappers. Put into type and printed by Edwin U hler Sowers, 2nd, in December 1925 ...100 copies printed. Reprint. Collected earlier in THE LAST BOOK OF WONDER. |
| 1972 | BEYOND THE FIELDS WE KNOW | New York: Ballantine Books, [1972 ] | Wrappers. First Printing: May. 1972 on © page. Ballantine Books Adult Fantasy 02599-7-125 ($1.25). All material reprinted from earlier books. |
| 1922 | THE CHRONICLES OF RODRIGUEZ | London & New York: G. P. Putnam's Sons, [1922] | Two issues, no priority:
|
| 1910 | A DREAMER'S TALES | London: George Allen & Sons, 1910 | Three bindings, priority as listed:
|
| 1947 | THE FOURTH BOOK OF JORKENS | London, New York, Melbourne, Sydney, Cape Town: Jarrolds Pub. (London) Limited, [1947] | Two bindings, no priority established, but probably as listed:
|
| 1921 | IF: A PLAY IN FOUR ACTS | London; G. P. Putnam's Sons, [1921] | Two issues, no priority:
|
| 1923 | IF SHAKESPEARE LIVED TODAY | London & New York: G. P. Putnam's Sons, n.d. [1923?] | Wrappers. Two printings, no priority established:
|
| 1952 | THE LITTLE TALES OF SMETHERS | London New York Melbourne Sydney Capetown: Jarrolds Pub. (London) Ltd, [1952] | Two bindings, priority as listed:
|
Lord Dunsany – First Printing Dust Jackets Identification Guide
Gallery of First state Dust Jackets of Dunsany’s works. Only includes the first appearance in book form. Either the UK or US edition and does not include later printings.
Reference:
- L. W. Currey, Science Fiction and Fantasy Authors: A Bibliography of First Printings of Their Fiction and Selected Nonfiction.










