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Thomas MacKenzie – Illustrations for The Story of Hassan of Bagdad 1924

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Thomas Mackenzie (1887 – 1944) was born in Bradford, England. He was an artist producing illustrations for books and watercolours during the early 20th Century. His earliest commissioned works were for Ali Baba and Aladdin and illustrations for James Stephens’s “The Crock of Gold” , Arthur Ransome‘s “Aladdin and His Wonderful Lamp in Rhyme”, Christine […]

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Edmund Dulac – Illustrations from Hans Andersen’s Fairy Tales 1911

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Edmund Dulac (born Edmond Dulac; 1882 –  1953) was a French-born, British naturalised magazine illustrator, book illustrator and stamp designer. Dulac was a prolific illustrator and designer. His works include Stories from The Arabian Nights (1907) with 50 colour plates; an edition of William Shakespeare’s The Tempest (1908) with 40 colour illustrations; The Rubaiyat of

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Reginal & Horace Knowles – Illustrations for Legends from Fairyland 1907

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Reginald L. Knowles (1879 – 1950) was a book designer and illustrator who worked with his brother, Horace Knowles, on a number of exquisite illustrated books in the first two decades of the twentieth century, including Legends from Fairy Land (1907), Norse Fairy Tales (1910) and Old World Love-Stories (1913). Presenting the illustrations from Legends from

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W. Heath Robinson – Illustrations for Andersen’s Fairy Tales 1913

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William Heath Robinson (31 May 1872 – 13 September 1944) was an English cartoonist, illustrator and artist, best known for drawings of whimsically elaborate machines to achieve simple objectives. In the UK, the term “Heath Robinson” entered the popular language during the 1914–1918 First World War as a description of any unnecessarily complex and implausible contrivance,

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Eleanor Vere Boyle (E.V.B) – Illustrations for Hans Christian Andersen’s Fairy Tales 1872

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Eleanor Vere Boyle (1825–1916) was an artist of the Victorian era whose work consisted mainly of watercolor illustrations in children’s books. These illustrations were strongly influenced by the Pre-Raphaelites, being highly detailed and haunting in content. Love and death were popular subject matter of Pre-Raphaelite art and something that can be seen in Eleanor Vere

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Seymour Eaton – Illustrations for More About The Roosevelt Bears 1907

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It is a great pleasure for me to present the most popular “Teddy Bears” book of the early 19th century. The Roosevelt Bears aka the “Teddy Bears books” by Eaton Seymour. This book has certainly contribute to popularized the keyword “Teddy Bears” that we all came to know today. Presenting the illustrations by Seymour Eaton

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Jessie M. King – Illustrations for The High History of the Holy Graal 1903

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Jessie Marion King (March 20, 1875 – August 3, 1949) was a Scottish illustrator mostly of children’s books. She also designed jewellery and fabric, and painted pottery. King was one of the artists known as the Glasgow Girls. Jessie M. King was made Tutor in Book Decoration and Design at Glasgow School of Art in

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Newell Convers (N.C.) Wyeth – Illustrations for Robin Hood 1917

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Newell Convers Wyeth (October 22, 1882 – October 19, 1945), known as N. C. Wyeth, was an American artist and illustrator. He was the pupil of artist Howard Pyle and became one of America’s greatest illustrators. During his lifetime, Wyeth created more than 3,000 paintings and illustrated 112 books, 25 of them for Scribner’s, the

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Dugald Walker – Illustrations for Rainbow Gold 1922

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Dugald Walker – Rainbow Gold 1922 – First Edition Dugald Stewart Walker (1883 — 1937) was an early twentieth century American illustrator. Walker’s first comprehensive suite of colour and monotone illustrations appeared in Stories for Pictures (1912) and in the Foreword for that title written by Mackay, Walker was described in the following terms: “Dugald

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W. Heath Robinson – Illustrations for Midsummer Night’s Dream 1914

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William Heath Robinson (31 May 1872 – 13 September 1944) was an English cartoonist and illustrator best known for drawings of ridiculously complicated machines for achieving simple objectives. In the UK, the term “Heath Robinson” entered the popular language during the 1914–1918 First World War as a description of any unnecessarily complex and implausible contrivance,

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